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best british independent films

Lawrence of Arabia shot Peter O’Toole to fame, but he had to fight the desert every inch of the way as the star of one of the most beautifully photographed films ever made, with David Lean stunningly sealing his status as one of the great visual directors. Among this ensemble, brilliantly played by some of the best Gallic actors of their day, hopes rise and are shattered, and jealousy mounts among all the acolytes of a courtesan called Garance. A British movie that inspired a student drinking game and has its many hilarious lines quoted verbatim by fans (“Don’t you threaten me with a dead fish!”, etc.) You can also choose to be emailed when someone replies to your comment. From Kes to Clockwork Orange, the 20 best British films With the murderous black comedy of ‘The Ladykillers’ and the sumptuous cinematography of ‘Barry Lyndon’, there’s an … Disturbed by reports that the stylised violence in the film had provoked copycat crimes, Kubrick withdrew the film in Britain in 1973, and it wasn’t made available again until 2000, a year after his death. Want to bookmark your favourite articles and stories to read or reference later? The unusually vulnerable hero – as in Vertigo – increases the stakes and ensures that simple brawn won’t save the day, while Hitchcock ratchets up the tension unbearably by putting Grace Kelly’s plucky girlfriend in the lion’s mouth. Ezra Miller as the exceedingly creepy Kevin. Create a commenting name to join the debate, There are no Independent Premium comments yet - be the first to add your thoughts, There are no comments yet - be the first to add your thoughts. They won, and made the fizzing chemistry of the unlikely gang who must save us from aliens look easy. Alec Guinness famously and brilliantly played eight different characters in this pitch-black comedy of manners, but he is matched all the way by a wonderfully urbane and detached Dennis Price as the serial killer who murders his way to a dukedom. Martins gradually discovers that Lime is an unrepentant racketeer whose actions have had a devastating effect, and it all leads to a memorable climax in the sewers beneath the city. Star and director didn’t always see eye to eye either. The dialogue is gritty and realistic, Danny Cohen's cinematography is on-point, and the whole thing just seems to encapsulate the era in which it's set. Kubrick’s Vietnam movie is a visceral experience which follows a group of raw Marine volunteers from boot camp to action in the Tet Offensive. Booksmart (2019) If you liked Superbad, you will love Booksmart. In 1999, the British Film Institute surveyed 1,000 people from the world of British film and … Rarely has a city been used so effectively in cinema than in Roeg’s adaption of the Daphne Du Maurier short story Don’t Look Now, which has grown in stature over the past four decades. The film mercilessly takes barbed shots at the aristocracy and class divide, and the talented but troubled Hamer directs with a sureness of touch that does full justice to the billboards declaring Kind Hearts “a hilarious study of the gentle art of murder”. It might be that I've always been drawn to films with challenging subject matters, or it might be that British directors are just really damn good at making realistically gritty movies. HO, Claudette Colbert's eloping heiress and Clark Gable's hack on his uppers warily team up on a Greyhound bus, only to aggravatingly fall for each other. Seventy years since it was first released, The Third Man is Britain’s greatest film. What’s dazzling here is that two completely separate films unfold at once. Julie Christie and Donald Sutherland are superb as a grieving couple who go to Venice to try and forget the death by drowning of their daughter, only to experience disturbing reminders of their daughter. But Carter is no Philip Marlowe knight errant. Harrison Ford’s daring archaeologist is almost always out of his depth but has impeccable underdog charm, and Douglas Slocombe’s casually stunning cinematography is matched by one of John Williams's finest scores. It doesn’t – think of the scenes involving the minutiae of actually scoring and taking drugs as well as the harrowing cold turkey sequence, but Trainspotting does challenge audiences on the reasons why people do, whether we emphathise or not. The nominations for the 2019 British Independent Film Awards have been revealed, and it was a huge morning for Armando Iannucci’s Charles Dickens adaptation “ The Personal History of … A huge leap forward from Kubrick’s first two ultra-low budget independent features Fear and Desire and Killer’s Kiss, The Killing has shades of The Asphalt Jungle (1950), not least in the casting of Sterling Hayden as the career criminal who recruits a team of specialists for one last racecourse heist. Jane Austen Book Club. That’s certainly the lesson when Fred MacMurray’s infatuated salesman offers life insurance to Barbara Stanwyck’s femme fatale Phyllis against her unloved husband. Is it impossible for men and women to be purely platonic? And visually it’s unparalleled. It's also beautifully, beautifully shot. Movies. PS, There’s a deep contradiction at the heart of this acid-bright portrait of the violence in Rio’s favelas. 50 Greatest Independent Films: Empire Magazine, a decidedly pro-British film magazine, offered their picks for the bravest, most innovative, and most creative films - the "ultimate indie lineup" of 50 of the best non-studio works ever made.Descriptions of choices for the 50 Greatest Independent Films are excerpted below from the Empire Magazine website. Trainspotting was criticised in some quarters for glamorising drug-taking. Kubrick later claimed if he had known beforehand how severe the censorship restrictions would be, he wouldn’t have made Lolita, but Nabokov revealed that Kubrick had incorporated several things into the film that he wished he had thought of for the novel. Two happily married people meet by chance at a railway station and a short, intense, but doomed love affair ensues. It is according to Harry, in this beautiful, brainy comedy about two neurotic New Yorkers who become friends and then more. Metro Manila, a crime caper set in the Philippines, is named best film and picks up two other honours at the British Independent Film Awards. PS, This blistering Billy Wilder and IAL Diamond script is a demonstration of just how dark a love story can be get without tipping entirely into bitterness, a standing rebuke to every lazy, schmaltzy comedy going. PS, Some films strain under the weight of greatness; Casablanca’s quality bubbles through. Culminating unforgettably with this long-take tête-a-tête, it's a shattering quest for redemption, eerily scored by Ry Cooder. You've probably heard of Scottish director Danny Boyle (and if not you'll almost certainly have heard of Trainspotting, which is probably his best-known film), but you might not be familiar with his earlier work. New Yorker Kubrick made good use of authentic, shadow-filled Manhattan locations for his first outing in dark city which has many classic noir tropes – the film is told in flashback by a world weary narrator, there’s love, deception, murder and revenge, and a striking denouement as hero and villain battle it out in a warehouse filled with mannequins. Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends. Shot with non-professional actors who lived in circumstances close to that of their characters, this is a study in compassion and empathy. Paddy Considine plays the main character Richard with a blank-eyed intensity that fills all of his scenes with a kind of lurking menace, and the spare dialogue adds a grim element of realism to the whole thing. Nicolas Cage and Holly Hunter are the unlikely couple whose abduction of a spare newborn quintuplet, Nathan Jr, causes all hell to break loose. The cast of the mostly non-professional actors wasn’t told what to expect in many of the scenes, hence the real shock and pain on the boys’ faces when they were caned by the bullying headmaster. Christian Slater and Patricia Arquette are the lovers on the lam, chased by Christopher Walken's suave mafioso. Now, it is viewed as one of the most influential British crime thrillers ever. From the Burgess novel, Kubrick’s scathing satire set in a dystopian society in the not so distant future predictably caused controversy on release and continued to do so for many years afterwards, with one reviewer accusing Kubrick of creating “intellectual pornography”. HO, The diverging romantic fortunes of Hannah (Mia Farrow), Lee (Barbara Hershey) and Holly (Dianne Wiest, who won an Oscar, as did Michael Caine) provide an ideal structure for Woody Allen to check in on a midway state of adulthood, when there's already a sense of disappointment about squandered promise, but still much to play for. Spartacus remains a great spectacle however, if a bit wordy, and won four Oscars, none of them for Kubrick. We Need to Talk About Kevin wasn't Ezra Miller's first film (he'd already been in a handful of movies and appeared as a returning character in Californication by that point), but it was probably the one that really accelerated his career. Rocks is a 15-year-old Nigerian-British schoolgirl with bags of attitude and a hot Instagram account showing off her makeup skills. From Wikipedia, the free encyclopedia The British Independent Film Award for Best British Independent Film is an annual award given to the best British independent film. Criminal mastermind Alec Guinness rents a room in a sweet old lady’s house (a scene-stealing Katie Johnson) while he and his gang masquerade as musicians, plotting and executing a daring robbery. Mashable, MashBash and Mashable House are among the federally registered trademarks of Ziff Davis, LLC and may not be used by third parties without explicit permission. Either way, the nine films below aren't always easy to watch. A young boy who gets caught up with a gang of racist skinheads in the early '80s. type to search. Marvel risked four popular franchises on this superhero throw of the dice, something never attempted in cinema history. The Python’s finest hour (and a half). You can find our Community Guidelines in full here. Kubrick explores the dehumanising effect that not just combat but the brutal training regime under a profane, bullying instructor has on the recruits. Antonio (Lamberto Maggiorani) is offered a desperately-needed job – but it requires a bicycle, and when his is stolen he and his son resort to desperate measures to get it back. The caper goes to plan perfectly but the aftermath gradually and inexorably unravels in spectacular and bloody fashion. The Jane Austen Book Club – While this is technically an American movie, stars Emily Blunt, Hugh Dancy, and Lynn Redgrave are all English – as was Jane Austen, of course. Winner of six other Oscars including best film, best director and for Maurice Jarre’s unforgettable score, Lawrence of Arabia is that rarest of beasts – an epic blockbuster that is also thoughtful and literate. But this is his most lavish, measured, and sad: an elegiac fantasy of filmmaking, as a loose adaptation of the Odyssey grinds to a halt on Capri, with Jack Palance as the brash American producer trying to sell art by the yard. Mark Knopfler’s winning score adds to the feel-good vibe of a movie that leaves you with a great big smile on your face. Starring indie darling Harvey Keitel - in a mesmerising and extraordinarily brave performance - as a seriously corrupt, guilt-ridden, devoutly Catholic cop, this is a breathtaking modern-day parable of sin and redemption that is so hardcore, so unflinching in its portrayal of a man's descent into Hell and his scrabbling attempts to get into Heaven that it simply had to be an independent movie. Anthony Hopkins nominated for Best Actor at 2020 British Independent Film Awards 10/12/2020. Better Business Bureau Accredited Business. And of course, the famous zither score. HO, A devastating portrait of the poverty trap, Vittorio De Sica’s neo-realist masterpiece remains all too relevant. Forget that: beyond all the technical dazzle and ground-breaking filmmaking Orson Welles’s masterpiece has red blood in its veins and a huge beating heart. John Buchan’s famous novel has a rather anti-climactic ending and there are no female characters, so the director put his own personal stamp on it. for his life on earth to continue. As a little girl struggles to adapt following a family move across country, her emotions go on a madcap adventure through the mind itself. Richard and Anthony heading back home in one of the film's opening shots. What, for example, is the head-scratching ending all about, and what is the true purpose of the mysterious black monolith that pops up on Earth, then the Moon and finally in outer space as the spaceship heads for Jupiter? The cut-glass accents and some of the dialogue may grate nowadays but the poignancy of the story, the superb performances by Celia Johnson and Trevor Howard, the trains and the unforgettable use of Rachmaninoff’s second piano concerto make for an enduring classic. A heartrending love story tops our list of the year’s best films, which also features a kids’-eye view of Florida, political horror, erotic thrills, sci-fi noir, ghosts, grief and communism And those other memorable moments? From The Third Man’s humble beginnings (Graham Greene scribbled a single line for the beginning of a story on the back of an envelope), Greene and Carol Reed crafted a masterpiece of a thriller centring around moral ambiguity and betrayed friendships and containing some of the most memorable moments in cinema history. Kubrick was also happy to give his actors full latitude to improvise and Jack Nicholson is in full scenery chewing mode, his descent into madness making for mesmerising viewing. These indie movies are the sort of films that Martin Scorsese would describe as true cinema rather than the "theme park" movies in the Marvel Cinematic Universe. They then argue over who is going to do the dirty deed and only end up offing themselves in a series of gruesome but highly amusing vignettes. Director Fernando Meirelles and co-director Kátia Lund cast a talented band of local kids to give it authenticity and then punctuated their story with Scorsese-esque violence that still shocks. We run down 10 indie movies you should keep on your radar in 2020, including Promising Young Woman with Carey Mulligan and Viggo Mortensen's Falling. Keaton’s Johnny Gray is a key figure on the railroads of the Confederacy, but he and his engine, The General, must go above and beyond to defeat a Union spy. A drama about a schoolgirl whose life changes after she witnesses a violent attack has been named best film at this year's British Independent Film Awards. As you've probably guessed this is another fairly dark one, but it's also a moving story about childhood friendship and a comment on the way society treats teenagers who get labelled "difficult". The best indie films take risks on fresh faces and complicated characters. HO, Yes, but hear us out: Avengers is a grand experimental film. {{#verifyErrors}} {{message}} {{/verifyErrors}} {{^verifyErrors}} {{message}} {{/verifyErrors}}, Stanley Kubrick's films ranked - from worst to best, From Kes to Clockwork Orange, the 20 best British films, You may not agree with our views, or other users’, but please respond to them respectfully, Swearing, personal abuse, racism, sexism, homophobia and other discriminatory or inciteful language is not acceptable, Do not impersonate other users or reveal private information about third parties, We reserve the right to delete inappropriate posts and ban offending users without notification. https://mashable.com/2017/05/13/best-independent-british-films Gene Hackman plays the disgraced patriarch of a family of geniuses, making one last attempt at redemption. Kubrick’s second feature was another shoestring-budget affair, but he stepped up a couple of divisions for this stylish film noir about a boxer involved with a nightclub dancer menaced by her lecherous boss. These conundrums all add to the mystery and aura of a film in which Kubrick’s legendary attention to detail with regards to the sets stretched to importing just the right type of sand and washing and painting it to accurately portray the moon’s surface. Francis Ford Coppola slipped this paranoid masterpiece in between the first two Godfathers, though it was left to his wizardly editor Walter Murch to resolve the plot in post-production. So why should you watch it? Begin Slideshow Best Indie Movies - Newer Independent Films … Bombastic, brash – and totally brilliant. Kubrick suppressed Fear and Desire’s availability for decades, and given his well documented disdain for his first full-length feature, you would be forgiven for thinking that any trailer for Fear and Desire should have the rider “For Kubrick completists and cinephiles only”. Boasting sumptuous production values, this exquisitely mounted, leisurely paced adaption of William Makepeace Thackeray’s novel about the rise and fall of an 18th-century Irish rogue hero received middling reviews when released, but still won four Academy Awards, including not surprisingly, the costume, cinematography and art direction categories; for Barry Lyndon is undoubtedly one of the most stunningly beautiful pictures ever made. He made Shallow Grave two years before Trainspotting, and while it's not quite on that same cult level it's still a really fun watch. While the entire cast is stellar and Shirley MacLaine was never better, it’s worth ignoring them all and just watching Jack Lemmon’s meek office worker CC Baxter. It hits the miraculous sweet spot between all Allen’s modes and tones. For these portraits of inner-city poverty, gliding between frustration and triumph, Steve James’s epic of ghetto realities has been influential on every sports doc that has come in its wake. The result is Hitchcock’s first true classic bursting with what would become the Master’s signature tropes – famous locations, the glacial blonde, the innocent man on the run and the (literally) memorable climax. Author Stephen King, upset at the wholesale changes made by the director, hated Kubrick’s adaption of his celebrated and terrifying novel. Think of the famous shot of Omar Sharif miles in the distance gradually coming into view through the haze of the desert sun, and the epic sweep of Freddie Young’s Oscar-winning cinematography throughout. Brutally realistic and reflecting the growing pessimism of the early 1970s, Get Carter was underappreciated on release and then grew into a cult film. HO, Stanley Kubrick’s creep-show classic is remembered for the indelible images of that violent finale chase, but its reputation and influence stem from the slow-winding tension that precedes it. PS, The trials of young black basketball hopefuls in Chicago tell us volumes, from their upbringing to all-or-nothing career rimshots, about the opportunities otherwise denied them. Widowed mum Amelia (brilliant Essie Davis) can’t remember reading his book to her emotionally disturbed misfit of a son (Noah Wiseman) before. Before Michael Fassbender had rocketed to his current magnetic levels of X-Men fame, he was appearing in awesome independent films like this one. Every gesture and glance is flawless; he carries entire scenes without a word. Catching up on these lesser-known hits is a sure way to position yourself as the most sophisticated film buff at the dinner table. Featuring an exemplary cast, Oscar-winning cinematography and a number of unforgettable scenes such as the opening graveyard sequence, the first glimpse of Miss Havisham in her wedding dress, and the moonlit pursuit of Magwitch across the marshes, this is the Dickens adaption against which all others should be measured. score: 26 of 100 (26%) required scores: 1, 11, 19, 27, 38 list stats leaders vote Vote print comments. And you can’t get rid of him. Eccentric Texan oil magnate Burt Lancaster despatches an underling to buy an entire Scottish coastal village so he can build a refinery, but his man is soon seduced by his new environment. A case of wrong time, wrong place for Kubrick who was constrained both by the censors and by filming in England, where he had moved with his family the previous year, his adaption of Vladimir Nabokov’s infamous novel about a middle-aged professor’s infatuation with a sexually precocious adolescent girl. It was an immediate hit and in the ensuing seven decades, The Third Man’s popularity has remained constant, with frequent appearances on TV and in the cinema, as well as a beautiful restoration in 2015. Bogart’s Rick hides a huge heart under a thin veneer of cynicism; opposite him Ingrid Bergman’s luminous Ilsa would melt an iceberg. They decide to keep the cash and dispose of the body, and disaster ensues. While the studio films were concerned with unanimous commercial appeal, grandeur, and business, these independent films were generally made with a limited budget and experimented with the form of cinema. Nestor Almendros’s astounding magic-hour photography rightly won an Oscar, and Linda Manz supplies heartbreaking, plainspoken narration as Gere’s younger sister. In Wim Wenders's Palme d'Or winning trek through America's byways, Harry Dean Stanton plays a wreck of a man who's gone missing, found wandering silently through the Texan wilderness. It all adds up to one inescapable conclusion. Marcel Carné's immortal saga about a 19th-century Parisian theatre company – often called the French Gone with the Wind – has a swooning romanticism but majors in heartbreak, too. An affluent doctor is tortured by thoughts that his wife had contemplated cheating on him. Kubrick shot all but a few scenes by natural light and candlelight, investing the film with the authentic look of the period and evoking the works of Hogarth and Gainsborough – exactly the look that Kubrick desired. Winston Churchill considered Paths of Glory to have been the most realistic depiction of trench warfare, but the film’s themes could have been set to any war and told from the perspective of any nation. How many did you search out at … Mainstream movies and massive franchises are always a great joy to watch, but a lot of the best films are actually independent movies with much smaller budgets. It's not hard to see why, either. Evocatively photographed by Robert Krasker, post-war Vienna becomes as much a star of the movie as the two principal actors, as hack-writer Holly Martins (Joseph Cotten) searches for his friend Harry Lime, insouciantly played by Orson Welles in the rubble-strewn city. But there's meat to their bones for adults to digest, especially in this towering fantasy epic. There are many Kubrick aficionados who cite Paths of Glory as his greatest film. https://www.myvue.com/.../the-best-british-independent-films-of-the-year Are you sure you want to mark this comment as inappropriate? 50. Olivia Colman is stunning in 'Tyrannosaur'. The channel broadcasts on the US based Roku Streaming Service, which recorded over 46 million active monthly users in the USA alone, in the last quarter of 2020 Disinterred from a script Tarantino wrote in the mid-Eighties called The Open Road – the same screenplay that also spawned Natural Born Killers – Tony Scott's True Romance is a pulpy, hyperviolent twist on a damsel-in-distress fairytale, with a plinky-plonky score that is based on Badlands. The pair originally come from Manchester and Newcastle respectively before both venturing down south to study at Goldsmiths in the mid-’90s. The sights and sounds of the moor are infused with so much life and movement that the landscape almost becomes a character in its own right. avg. Against the backdrop of the Second World War, two former lovers reunite though everything in the world is pulling them apart. With Chris Menges’ superb camerawork lit only by natural light, Kes remains a true British classic and the peak of Loach’s illustrious body of work. With the murderous black comedy of ‘The Ladykillers’ and the sumptuous cinematography of ‘Barry Lyndon’, there’s an awful lot to like in the British archives, Find your bookmarks in your Independent Premium section, under my profile. Distant Voices, Still Lives is a wonderful semi-autobiographical chronicle of a 1940s/50s working-class Liverpool family which received a 4k restoration last year, reminding us of the beauty and fine detail of the director’s art. Boasting sumptuous production values, this exquisitely mounted, leisurely paced adaption of William Makepeace Thackeray’s novel about the rise and fall of an 18th-century Irish rogue hero received middling reviews when first released but still won four Oscars, including not surprisingly, the costume, cinematography, and art direction categories; for Barry Lyndon is undoubtedly one of the most stunningly beautiful pictures ever made. From Sarah Cooper to Fiona Hill: the ‘stars’ of the Trump era who emerged from obscurity. Invest three hours of your life in viewing it and you will not be disappointed. Best Indie Films 2021: These are the year’s most-buzzed-about indie films. 91,219 views made by Melanie Mathews. Note: to see if each film is available for you to stream on Netflix or elsewhere, click on the title to be redirected to the movie page. As a subversion of genre and viewer expectation, there are few to match it. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium. Want an ad-free experience?Subscribe to Independent Premium. Indy is ultimately irrelevant to the entire plot, interestingly, but his indefatigable effort to do the right thing still inspires. As their mission progresses, though, weird stuff starts to happen. Ewan McGregor was still in his early twenties when this one came out. Rose Glass’ psychological horror thriller Saint Maud leads the 2020 British Independent Film Awards (BIFAs) with 17, as nominations were announced today. Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. London, United Kingdom, 5 January 2021, a British film titled ‘Escape – Stop That Wedding’ has won the ‘Best Independent Film’ award in the US based Detaron TV channel 2020 Film Awards. In doing so, amid a web of corruption, pornography and murder, the relentless Carter leaves a trail of bodies all around the northeast, but his own fate had already been sealed when he stepped aboard that train. Witty touches and a real sense of story mean that this is still entertaining more than a century later, and if the effects are less awe-inspiring now, they’re still beautifully designed and executed. Without wanting to give too much away, you spend the first three quarters of the film wondering what the hell is going on, and the last quarter wondering what the hell you're watching. Warner Bros/Hawk Films/Kobal/REX/Shutterstock. The film started as a smaller budget independent film, but was picked up by Columbia Pictures and released on March 5, 1999. Well the acting is incredible (especially the always-brilliant Olivia Colman), and despite some critics labelling it "poverty porn", I'd argue the film takes a close and challenging look at some important issues. ... in 1994 The Independent’s Anthony Quinn, typically, thought this film ‘overrated’ and part of Losey’s decline. A beautifully filmed adaption of the Barry Hines novel A Kestral For a Knave with a remarkable performance from David Bradley as Billy Casper, a 15-year-old boy from a deprived background whose life is transformed when he finds a young falcon and trains it, in the process forming a close emotional bond with the bird. The cinematography is just one reason to watch 'The Selfish Giant'. Menu. Andrea Arnold's adaptation of Wuthering Heights isn't a perfect film, but the cinematography and the sound mixing are perfect. 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And more also being great cinema smirking in a doorway Comments threads will continue to respect all commenters and constructive. Film ever made ” is that it begins to sound like homework our! Bright colours, imaginative characters and plucky heroines ( usually ) a Man wreaks a!

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